Energywork as Music – Auto-Tuning the Symphonic Field

What models do we use to approach working with energy? What’s the grammar and the syntax of our work? These questions are of utmost importance.

Espoused in this article is a dynamic universe of musicality, intentionality, and imagination.

Try this: make an “energy ball” between your hands or fingers. Expand it. Compress it. Move it. Play with it. Our individual energy psychology will dictate how our energywork feels to us, but make no mistake that what is happening between the hands or fingers is the establishment of a field of resonance. This field can be moved and manipulated in virtually any way. The idea that we are losing something by giving away our qi is a fallacy – and this is the reason why the paradigm in which you perform your energywork will dictate the experience for everyone involved. If you feel tired after energywork, it is more than likely because you maintain the notion that energywork can be “draining” or “tiring”. There is nothing to drain. The energy in which we work is literally infinite. All we are doing is striking a chord.

In energywork, we do not send, transmit, or do anything that implies the transfer of substance from one location to another. It is not me giving you my qi or the projection of some force. Rather, all energywork is done through the conscious induction of resonance. Energy healing happens through a resonant field that is in harmony with the objects future-possible states of resonance in the musical scale to which the physical universe is tuned (the “music of the spheres”, what Geesink & Meijer call generalized music). This resonant field is established by the imagination.

Telepathic phenomena such as the sharing of thoughts or feelings with others also occurs only through resonance. Thoughtforms are not sent as they are in many magickal systems or in incorrect models of psi; rather, their resonant information signature is induced through consciousness phase-matching with itself by an intentional, imaginal event. All of this is an instantaneous, non-local effect – meaning standard Newtonian particle-oriented notions of causality are out and non-linear causality in a fractal-holographic universe is in.

When we intentionally modulate the energetic-informational content of an object in space, we are effectively striking a musical chord with which the object “rings”. We are simply allowing the strings of the universe to play harmoniously. An important thing to recognize is that the object of the work will slowly fall back out of “tune” unless the work is repeated. Energyworkers in different traditions recognize this. In this sense, the resonance (i..e., coherence) can be thought of as a kind of substance, though not the kind of substance that can only be taken from one point in space to another like moving a rock. Instead, the substance is self-generated through self-coherence in the field of consciousness. It can be spontaneously generated anywhere, at any time. The substance, truly, is the sound of a chord.

The life-promoting movement of hydrated polar molecules by the resonant field could be self-selected through a complex function involving a systems temperature, negentropy, resonant frequencies, density of coherent domains, degrees of freedom, and other quantum and subquantum factors. This resonance is set in place through an act of consciousness that triangulates the systems future-possible energy-information states, the present state, and the imagination and intention of the practitioner, facilitating how the former is brought into manifestation.

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The physical universe is bounded in nature and is of limited size. There may be other universes outside of this universe and technically all fields extend into space infinitely, but the boundary condition on the outer edge of our universe is what sets the dimensions of the knowable physical universe and therefore, I believe, the harmonic scale in which all universal resonance takes place (more on this in future posts). All processes in the universe are limited by the interference patterns between the standing waves that naturally resonate within the boundary condition of the universe. This complex of standing wave interference patterns that encompass the interior boundary of the universe form a matrix of information-energy, here referred to as the Divine Matrix (referred to by Louis Malklaka as the subquantum pixel grid).

It is interesting to note the homophonic nature of the word “scale”. It is both a verb and a noun, meaning to change the size of something in a way proportional to itself or another reference (“scaling” or “to scale”), and also meaning a set of harmonic frequencies that make up a varying degrees of consonance or dissonance relative to one another (a “scale”). The term “scalar wave” was the term used by Tesla to denote the kinds of hyperdimensional energies utilized in his research. The generalized music of the living universe can be thought of, colloquially, as a scalar scaling scale. This is practically no different from saying it is fractal-holographic, but in a musical sense.

If we can divine an event to be for the good of healing and do so with an open mind then the potential for healing can be maximized. We are simply assisting in the path that reality wants to take – becoming a vehicle for the Dao and for the innately divine nature of Reality.

Follow the music, let go, and let God.


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Conner Kees
Source For Well-Being – Black Mountain, NC
Making the Medicine Blog

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